影片信息
- 片名:外星恶客
- 状态:HD中字
- 主演:Marshall/Thompson/Shirley/Patterson/Kim/Spalding/
- 导演:Edward/L./Cahn/
- 年份:1958
- 地区:美国
- 类型:恐怖/
- 时长:内详
- 上映:未知
- 语言:英语
- 更新:2024-06-25 19:26
- 简介:外星恶客1958 播出年由Marshall Thompson Shirley Patterson 主演,Edward L. Cahn 导演的《外星恶客》在线观看,《外星恶客》百度云网盘资源以及《外星恶客》高清mp4迅雷下载,希望您能喜欢!
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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红枣电影网为您提供1958 年由Marshall Thompson Shirley Patterson 主演,Edward L. Cahn 导演的《外星恶客》在线观看,《外星恶客》百度云网盘资源以及《外星恶客》高清mp4迅雷下载,希望您能喜欢!
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.展开
6.0Luke/Avoledo/尼克·比斯库佩克/Camille/Blott/Louisa/Capulet/Sayla/de/Goede/Dan/Molson/西蒙·飞利普斯/Chad/Ridgely/Kelly/Schwartz/Sienna/Star/Michael/Swatton/Paul/Whitney/
5.0Dermot/Mulroney/Minka/Kelly/Dermot/MulroneyMinka/KellyMaggie/Grace/
8.0肖恩·卡梅伦·迈克尔/Donna/Cormack-Thomson/乔·瓦兹/Lloyd/Martinez/Newkirk/Shuraigh/Meyer/加里·格林/Warrick/Grier/Andrew/Roux/Ryan/Kruger/科林·莫斯/卡雷尔·内尔/苏拉亚·桑托斯/乔纳森·皮纳尔/Sidwell/Diamond/Ralitsoele/Tuks/Tad/Lungu/格兰特·斯旺比/Johann/Vermaak/Niklas/Wittenberg/德翁·洛茨/布兰登·默雷/
1.0休·格兰特/索菲·撒切尔/克洛伊·伊斯特/艾尔·麦金农/卡罗琳·亚代尔/史蒂芬妮·拉文尼/River/Codack/Elle/Young/
1.0尼古拉斯·凯奇/莉莉·索博斯基/艾伦·伯斯汀/凯特·宾汉/弗兰西丝·康罗伊/
8.0 Katelin Stack/Jeremy Warner/Rob Scallon/
3.0 Risa Saraswati/Prinsa Mandagie/Ranggana Purwana/Nicko Irham/Indy Ratna Pratiwi/Riana Rizki/
5.0 Laila Boonyasak/Phan Rojanarangsri/Pitchanart Sakakorn/
5.0Paige/Gilmour/Shane/Quigley-Murphy/May/Kelly/Joshua/Whincup/Chloe/Wigmore/Eva-Marie/Kung/Rachael/James/Lauren/McConville/Joanna/Lusua/
10.0 Ponchanan Chantra/妮查潘·查采芃纳/察猜·钦西/
10.0 里法特·桑贾尔/Emrah Altintoprak/Cansu Türedi/
2.0笑福亭鹤瓶/绫野刚/小松菜奈/小林聪美/涩川清彦/坂东龙汰/高桥和也/木野花/
8.0 朱利安·山德斯/阿历克斯·阿诺/杰克·帕尔/金·斯皮尔曼/艾琳·马伦/Maxime Durand/阿尔洛·卡特/William Erazo Fernández/
8.0迈克尔·比恩/泰丝·哈乌布里奇/亚伦·佩德森/安琪·米利肯/唐·布里奇斯/Molly/Belle/Wright/Nancy/Rizk/Mungo/McKay/Mara/Jean/Quinn/Tom/Block/Aaron/Davison/Liam/Greinke/Ross/Buchanan/Barry/Mitchell/Samuel/Seau/Garvin/Boll/Schieble/Bridget/Haylock/Martin/Blum/Russ/Gallagher/Brett/Whittingham/
3.0 罗伯托·厄宾纳/McCaul Lombardi/Julieth Restrepo/肯德尔·雷/路易斯·查韦斯/克里斯·马尔基/胡里奥·凯撒·赛迪罗/Manuel Uriza/大卫·马尔登那多/Jared Kesler Smith/Christopher Dean White/Jerry Burnett/Carol Caho/
10.0 Derek Johns/Alexander Nachi/Megan Peta Hill/
6.0 斯科特·斯比德曼/劳伦斯·菲什伯恩/乔丹娜·布鲁斯特/克里斯·康纳/Katie O'Grady/Randy Sean Schulman/Zach Feiner/Jesaar Landavaso/凯尔·斯托尔茨/Kiah Butts/
1.0朱利安·山德斯/阿历克斯·阿诺/杰克·帕尔/金·斯皮尔曼/艾琳·马伦/Maxime/Durand/阿尔洛·卡特/William/Erazo/Fernández/
2.0玛丽·伍德维恩/纳撒尼尔·马泰洛-怀特/朱莉娅·布朗/查尔斯·艾特肯/亚子·米切尔/凯萨·哈姆隆德/迪皮卡·斯蒂芬/詹姆斯·哈珀-琼斯/妮拉·阿利亚/Rupert/Turnbull/Lucy/Doyle/Alice/Handoll/Lexi/Austin-Jones/
1.0 威廉·弗西斯/迈克尔·帕尔/Diana Garle/Christopher Millan/丹妮丝·戈塞特/Jovan Hayes/Jason Hignite/Dana Anderwald/Rosemary Gilmore/Megan Rosen/Melissa Kunnap/
1.0 乔什·哈奈特/阿里尔·多诺霍/莎莱克·沙马兰//海莉·米尔斯/艾丽森·皮尔/马尼耶·麦克费尔/凡妮莎·斯迈思/马利克·朱巴尔/Jonathan Langdon/Peter D'Souza/Ty Pravong/Kaitlyn Dallan/卡莉·洛雷拉/Daniel Karp/John Andrews/Karina Grzella/Elizabeth Victoria Wong/Kristopher Grzella/Kristi Woods/Scott Ian MacDougall/约瑟夫·戴利/
5.0威廉·弗西斯/迈克尔·帕尔/Diana/Garle/Christopher/Millan/丹妮丝·戈塞特/Jovan/Hayes/Jason/Hignite/Dana/Anderwald/Rosemary/Gilmore/Megan/Rosen/Melissa/Kunnap/
9.0 凯尔西·周/芬·维特洛克/丹尼尔·弗朗西斯/迪伦·比姆/Skye Little Wing Dimov Saw/
7.0 杰森·帕特里克/丹尼尔·洛巴克/大卫·霍华德·桑顿/劳伦·拉维拉/拜斯·约翰逊/布拉德利·斯泰克尔/克里斯·杰里科/萨曼莎·斯卡菲迪/玛格丽特·安妮·佛罗伦斯/埃利奥特·富勒姆/亚历克萨·布莱尔·罗伯逊/Antonella Rose/克里斯·福克斯/夏洛特·麦基/西耶娜·休伯特-罗斯/奇普·卡里尔/卢西亚娜·凡德特/Annie Lederman/Kellen Raffaelo/安妮·莱德曼/
3.0Magui/Bravi/Nacho/Francavilla/Josefina/Fariña/
4.0Lucille/Guillaume/Lewkowski/Yovel/Laurie/Pavy/
6.0桑德里娜·博内尔/保罗·艾米/维吉妮·拉朵嫣/法朗西斯·瑞纳德/伊丽莎白·杜达/马立克·兹迪/
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